Rewriting Chaucer

Culture, Authority, and the Idea of the Authentic Text, 1400–1602

Thomas A. Prendergast and Barbara Kline, eds.

The book begins by exploring medieval and early modern notions of origins and how they at once illuminate and problematize the recovery of Chaucerian texts. Essays in the second section examine how individual scribes and reading communities reshaped Chaucer’s texts. Finally, we see how the printing press— bringing with it a renewed concern about the idea of authenticity—led at once to an increase in the number of works attributed to Chaucer and to increasing anxiety about their authenticity.

The focus on the ways in which Chaucer was rewritten in different cultural and aesthetic contexts will enable medieval and early modern critics to situate Chaucer more fully within his cultural milieu, while illuminating the ways in which his reputation as both a “laureate poet” and a “lewed compilator” affected rewritings of his works. Rewriting Chaucer, then, will appeal both to scholars interested in the critical juncture between manuscript and print culture and to those interested in how culture affects the reproduction of authoritative texts.

Table of Contents

• Introduction: Writing, Authenticity, and the Fabrication of the Chaucerian Text  Thomas A. Prendergast
• Chaucer's Canterbury Tales—Politically Corrected  John M. Bowers
• Creating Comfortable Boundaries: Scribes, Editors, and the Invention of the Parson's Tale  Míċeál F. Vaughan
• The Fifteenth-Century Prioress's Tale and the Problem of Anti-Semitism  Mary F. Godfrey
• Scribal Agendas and the Text of Chaucer's Tales in British Library MS Harley 7333  Barbara Kline
• Geoffrey Chaucer and Other Contributors to the Treatise on the Astrolabe  Edgar Laird
• Bodleian MS Arch. Selden. B. 24 and the “Scotticization” of Middle English Verse  Julia Boffey and A. S. G. Edwards
• Scottish Chaucer, Misogynist Chaucer  Carolyn Ives and David Parkinson
• The Rewriting of the Wife of Bath's Prologue in Cambridge Dd.4.24  Beverly Kennedy
• The Influence of Printed Editions and Manuscripts on the Canon of William Thynne's Canterbury Tales  Robert Costomiris
• Chaucer's Doppelgänger: Thomas Usk and the Reformation of Chaucer  Thomas A. Prendergast
• Discourses of Affinity in the Reading Communities of Geoffrey Chaucer  Stephanie Trigg

Thomas A. Prendergast is an assistant professor of English at the College of Wooster. Barbara Kline has taught at Florida International University and at Albertson College as an assistant professor of English.
 

Jun 1999 Medieval Studies/Book History 352 pp. 6 x 9 3 illus.	Shopping Cart Instructions
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