|
American
and Canadian |
|
Adventures of the
Spirit: The Older Woman in the Works of Doris Lessing, Margaret Atwood, and
Other Contemporary Women Writers |
Perrakis, ed. |
|
America’s Gothic Fiction:
The Legacy of Magnalia Christi Americana |
Baker |
|
The Arbiters of Reality:
Hawthorne, Melville, and the Rise of Mass Information Culture |
West |
|
At Home, At War: Domesticity and World War I in American Fiction |
Haytock |
|
The Black Aesthetic Unbound:
Theorizing the Dilemma of Eighteenth-Century African American Literature |
Langley |
|
The Centenary Edition of the Works of Nathaniel Hawthorne |
Hawthorne |
|
The Collected Fables of Ambrose Bierce |
Bierce |
|
Cross-Cultural
Visions in African American Modernism: From Spatial Narrative to Jazz Haiku |
Hakutani |
|
Cultural Secrets as
Narrative Form: Storytelling in Nineteenth-Century America |
Reid |
|
The Difference Place Makes: Gender, Sexuality, and Diaspora Identity |
Gourdine |
|
The Dramatic Unity of
Huckleberry Finn |
Carrington |
|
The Escape Motif in the
American Novel: Mark Twain to Richard Wright |
Bluefarb |
|
Everything Lost: The
Latin American Notebook of William S. Burroughs |
Smith, Bennett, and Harris, eds. |
|
Executing Race: Early American Women's Narratives of Race, Society, and the
Law |
Harris |
| |
Folklore in New World Black
Fiction: Writing and the Oral Traditional Aesthetics |
Akọma |
| |
From Old Woman to Older Women:
Contemporary Culture and Women's Narratives |
Chivers |
| |
Harlan Ellison: The Edge of Forever |
Weil and Wolfe |
| |
Having a Good Cry: Effeminate Feelings and Pop-Culture Forms |
Warhol |
| |
Hawthorne and the Real: Bicentennial Essays |
Bell, ed. |
| |
Ideas of Order in the Novels of Thomas Pynchon |
Hite |
| |
In Cold Fear: The Catcher in the Rye Censorship Controversies and Postwar
American Character |
Steinle |
|
“In the Light of Likeness—Transformed”: The Literary
Art of Leon Forrest |
Williams |
|
Kinds of Blue: The Jazz Aesthetic in African American Narrative |
Grandt |
|
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
Moreland |
|
Little Songs: Women,
Silence, and the Nineteenth-Century Sonnet |
Billone |
|
Making the “America of Art”: Cultural Nationalism and Nineteenth-Century Women Writers |
Sofer |
|
Margaret Atwood’s Textual Assassinations: Recent Poetry and Fiction |
Wilson |
|
A Much Misunderstood Man: Selected Letters of Ambrose Bierce |
Joshi and Schultz, eds. |
|
Muse in the Machine: American
Fiction and Mass Publicity |
Conroy |
| |
Mutha’ Is Half a Word:
Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female
Culture |
Stallings |
| |
A Prescription for Adversity: The Moral Art of Ambrose Bierce |
Berkove |
|
Prisons, Race, and
Masculinity in Twentieth-Century U.S. Literature and Film |
Caster |
|
Prophet in the Marketplace: Thoreau's Development as a Professional Writer |
Fink |
|
Psychological Politics
of the American Dream: The Commodification of Subjectivity in
Twentieth-Century American Literature |
Tyson |
|
Reading the Fascicles of Emily Dickinson: Dwelling in Possibilities |
Heginbotham |
|
Reciprocal Influences: Literary Production, Distribution, and Consumption in
America |
Fink and Williams, eds. |
|
Re-Forming the Past: History, The Fantastic, and the Postmodern Slave
Narrative |
Spaulding |
|
“The Regulations of Robbers”: Legal Fictions of Slavery and Resistance |
Accomando |
|
The Reverend Mark Twain:
Theological Burlesque, Form, and Content |
Fulton |
|
Roman Fever: Domesticity and
Nationalism in Nineteenth-Century American Women's Writing |
Elsden |
|
Seeing Red: Anger,
Sentimentality, and American Indians |
Carpenter |
|
Selected Letters of Nathaniel Hawthorne |
Myerson |
|
Soft in the Middle: The
Contemporary Softcore Feature in Its Contexts |
Andrews |
|
Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920–1933 |
Drowne |
|
A Superficial Reading of
Henry James: Preoccupations with the Material World |
Otten |
|
Textual Contraception: Birth
Control and Modern American Fiction |
Capo |
|
The Theatre of the Real:
Yeats, Beckett, and Sondheim |
MacKenzie |
|
Traveling Economies:
American Women’s Travel Writing |
Steadman |
|
The Voices of Toni Morrison |
Rigney |
|
White Liberal Identity, Literary Pedagogy, and Classic American Realism |
Barrish |
|
Would Poetry Disappear?
American Verse and the Crisis of Modernity |
Newcomb |
|
|
|
|
BRITISH AND IRISH |
|
|
|
| |
Allegories of One’s Own Mind: Melancholy in Victorian Poetry |
Riede |
| |
A/Moral Economics: Classical Political Economy and Cultural Authority in
Nineteenth Century England |
Klaver |
|
Anne Thackeray Ritchie
Journals and Letters |
Shankman |
|
Bastards and Foundlings: Illegitimacy in Eighteenth-Century England |
Zunshine |
|
Becoming Browning: The Poems and Plays of Robert Browning, 1833–1846 |
Ryals |
|
Bernard Shaw and the
Aesthetes |
Adams |
|
Black British Literature:
Novels of Transformation |
Stein |
|
Breaking the Frame: Metalepsis and the Construction of the Subject |
Malina |
| |
Charles Dickens and His
Original Illustrators |
Cohen |
| |
Cities Built to Music:
Aesthetic Theories of the Victorian Gothic Revival |
Bright |
| |
The Citizen’s Body:
Desire, Health, and the Social in Victorian England |
Gilbert |
| |
Consuming Fantasies:
Labor, Leisure, and the London Shopgirl, 1880–1920 |
Sanders |
| |
Contemporary Dickens |
Gillooly and David, eds. |
| |
Coping with Joyce: Essays from
the Copenhagen Symposium |
Beja and Benstock, eds. |
| |
Court Satires of the
Restoration |
Wilson |
| |
Crime in Verse: The Poetics of
Murder in the Victorian Era |
O’Brien |
| |
The Crisis of Action in
Nineteenth-Century English Literature |
Markovits |
| |
The Dangerous Lover: Gothic
Villains, Byronism, and the Nineteenth-Century Seduction Narrative |
Lutz |
| |
Deciphering Race: White Anxiety, Racial Conflict, and the Turn to Fiction in
Mid-Victorian English Prose |
Callana |
| |
Detecting the Nation:
Fictions of Detection and the Imperial Venture |
Reitz |
| |
Dickens' Journalism |
Dickens |
| |
Disciplining Love:
Austen and the Modern Man |
Kramp |
| |
A Distinction of Stories: The Medieval Unity of Chaucer’s
Fair Chain of Narratives for Canterbury |
Allen and Moritz |
| |
The Dramatic World of
Harold Pinter: Its Basis in Ritual |
Burkamn |
| |
Educating the Proper
Woman Reader: Victorian Family Literary Magazines and the Cultural Health of
the Nation |
Phegley |
| |
The English Dream Vision:
Anatomy of a Form |
Russell |
| |
Feminist Realism at the
Fin de Siècle: The Influence of the Late-Victorian Woman’s Press on
the Development of the Novel |
Youngkin |
| |
Framing Anna Karenina: Tolstoy, the Woman Question, and The Victorian Novel |
Mandelker |
| |
Freshest Advices: Early
Provincial Newspapers in England |
Wiles |
| |
Gendered Interventions:
Narrative Discourse in the Victorian Novel |
Warhol |
| |
George Eliot's Serial Fiction |
Martin |
| |
Joseph Conrad: Voice,
Sequence, History, Genre |
Lothe, Hawthorn, and Phelan, eds. |
| |
Home Economics: Domestic Fraud
in Victorian England |
Stern |
| |
The Imagination of
Class: Masculinity and the Victorian Urban Poor |
Bivona and Henkle |
| |
The Imagined World of
Charles Dickens |
Newcomb |
| |
Imagining Poverty: Quantification and the Decline of Paternalism |
Sherman |
| |
Imperial Subjects, Imperial Space: Rudyard Kipling’s Fiction of the
Native-Born |
McBratney |
| |
Interrogating
Orientalism: Contextual Approaches and Pedagogical Practices |
Hoeveler and Cass, eds. |
|
The Intersecting
Realities and Fictions of Virginia Woolf and Colette |
Southworth |
|
James Joyce: A Literary Life |
Beja |
| |
Jane Austen’s Novels: The Fabric of Dialogue |
Babb |
|
Joyce in the Hibernian Metropolis: Essays |
Beja |
| |
Joyce’s Moraculous Sindbook: A Study of Ulysses |
Henke |
|
D. H. Lawrence: Self and Sexuality |
Cowan |
| |
The Letters of John Ruskin
to Lord and Lady Mount-Temple |
Bradley, ed. |
|
The Lion and the Cross: Early Christianity in Victorian Novels |
Rhodes |
| |
Lost Causes: Historical
Consciousness in Victorian Literature |
Jones |
| |
Masked Atheism: Catholicism
and the Secular Victorian Home |
LaMonaca |
| |
Matthew Arnold, John Ruskin, and the Modern Temper |
Alexander |
|
Misreading Jane Eyre: A Postformalist Paradigm |
Beaty |
| |
Modernist Heresies:
British Literary History, 1883–1924 |
Franke |
|
The New Woman and the Empire |
Jusová |
|
The Night Side of Dickens: Cannibalism, Passion, Necessity |
Stone |
| |
The Novel and the
Menagerie: Totality, Englishness, and Empire |
Koenigsberger |
| |
Novel Professions: Interested
Disinterest and the Making of the Professional in the Victorian Novel |
Ruth |
| |
The Old Story, with a Difference: Pickwick’s Vision |
Wolfreys |
| |
Paintings from Books: Art and Literature in Britain, 1760–1900 |
Altick |
| |
Performing the
Victorian: John Ruskin and Identity in Theater, Science, and Education |
Weltman |
|
Plots of Opportunity:
Representing Conspiracy in Victorian England |
Pionke |
|
The Pre-Raphaelite
Art of the Victorian Novel: Narrative Challenges to Visual Gendered
Boundaries |
Andres |
| |
Pope’s Horatian Poems |
Maresca |
|
The Presence of the Present: Topics of the Day in The Victorian Novel |
Altick |
|
Print, Manuscript, and Performance: The Changing Relations of the Media in
Early Modern England |
Marotti and Bristol, eds. |
|
The Progress of Romance: Literary Historiography and the Gothic Novel |
Richter |
|
Punch: The Lively Youth of a British Institution, 1841–1851 |
Altick |
| |
Reading London: Urban
Speculation and Imaginative Government in Eighteenth-Century Literature |
Bond |
|
Rewriting Chaucer: Culture, Authority, and the Idea of The Authentic Text,
1400–1602 |
Prendergast |
| |
Samuel Beckett:
Humanistic Perspectives |
Beja, Gontarski, and Astier, eds. |
| |
Scotland, Britain, Empire:
Writing the Highlands, 1760–1860 |
McNeil |
|
Selected Letters of Leslie Stephen |
Stephen |
| |
Shakespeare’s History Plays:
The Family and the State |
Pierce |
| |
Shakespeare’s
Patterns of Self-Knowledge |
Soellner |
|
The Silent Revolution and the Making of Victorian England |
Schlossberg |
| |
Social Protest in the
Eighteenth-Century English Novel |
Scheuermann |
| |
The Summons of Death on the
Medieval and Renaissance English Stage |
Spinrad |
|
Telling Tales: Gender and Narrative Form in Victorian Literature and Culture |
Langland |
|
Theater Figures: The Production of the Nineteenth-Century British Novel |
Allen |
| |
The Theatre of the Real:
Yeats, Beckett, and Sondheim |
MacKenzie |
| |
Theology and Poetry in the
Middle English Lyric: A Study of Sacred History and Aesthetic Form |
Weber |
| |
Timon of Athens:
Shakespeare’s Pessimistic Tragedy |
Soellner |
| |
Victorian Freaks: The
Social Context of Freakery in Britain |
Tromp, ed. |
| |
Victorian Sensations:
Essays on a Scandalous Genre |
Harrison and Fantina, eds. |
| |
Virtue of Necessity: Inconclusiveness and Narrative Form in Chaucer’s Poetry |
Sklute |
| |
The Woman Painter in Victorian
Literature |
Losano |
|
Toward a Working-Class Canon: Literary Criticism in British Working-Class
Periodicals, 1816–1858 |
Murphy |
| |
The Works of Aphra Behn |
Behn |
| |
A World of Possibilities: Romantic Irony in Victorian Literature |
Ryals |
|
|
|
|
CLASSICS |
|
|
|
|
Catullus in Verona: A Reading of the Elegiac
Libellus, Poems 65–116 |
Skinner |
|
Desiring Rome: Male
Subjectivity and Reading Ovid’s Fasti |
King |
|
The Elegiac Cityscape: Propertius and the Meaning of Roman Monuments |
Welch |
|
Feeling History:
Lucan, Stoicism, and the Poetics of Passion |
D’Alessandro Behr |
|
The Ghosts of the Past:
Latin Literature, the Dead, and Rome’s Transition to a Principate |
Dufallo |
|
The Iuvenilia of
Marc-Antoine Muret |
Summers |
|
Latin Elegy and Narratology:
Fragments of Story |
Liveley and Salzman-Mitchell, eds. |
|
The Mythographer |
Fulgentius |
|
Postmodern Spiritual
Practices: The Construction of the Subject and the Reception of Plato in
Lacan, Derrida, and Foucault |
Miller |
|
Reading Death in Ancient
Rome |
Erasmo |
|
Reading Thucydides |
Morrison |
|
A Web of Fantasies: Gaze, Image, and Gender in Ovid’s Metamorphoses |
Salzman-Mitchell |
|
|
|
|
EUROPEAN AND COMPARATIVE |
|
|
|
|
Afrindian Fictions:
Diaspora, Race, and National Desire in South Africa |
Rastogi |
|
Afro-Future Females: Black
Writers Chart Science Fiction's Newest New-Wave Trajectory |
Barr, ed. |
|
Arthurian Fictions:
Rereading the Vulgate Cycle |
Burns |
|
The Artistic Censoring of
Sexuality: Fantasy and Judgment in the Twentieth Century Novel |
Mooney |
|
Bloodscripts: Writing the Violent Subject |
Gomel |
|
The Chekhovian Intertext:
Dialogue with a Classic |
Parts |
|
The Difference Place Makes: Gender, Sexuality, and Diaspora Identity |
Gourdine |
|
The Economics of
Fantasy: Rape in Twentieth-Century Literature |
Stockton |
|
Elusive Childhood: Impossible Representations in Modern Fiction |
Honeyman |
|
The Enemy Within: Culture
Wars and Political Identity in Novels of the French Third Republic |
Chaitin |
|
Epistolarity:
Approaches to a Form |
Altman |
|
Galactic Suburbia:
Recovering Women’s Science Fiction |
Yaszek |
|
In the Grip of Minos:
Confessional Discourse in Dante, Corneille, and Racine |
Senior |
|
In the Presence of Audience: The Self in Diaries and Fiction |
Martinson |
|
The Intersecting
Realities and Fictions of Virginia Woolf and Colette |
Southworth |
|
Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
Moreland |
|
The Legend of Romeo and Juliet |
Moore |
|
Libertine Strategies:
Freedom and the Novel in Seventeenth-Century France |
DeJean |
|
Medea's Daughters: Forming and Performing the Woman Who Kills |
Jones |
|
Middle Passages and
the Healing Place of History: Migration and Identity in Black Women’s
Literature |
Brown-Guillory |
|
The New Woman and the Empire |
Jusová |
|
Ordinary Pleasures: Couples, Conversation, and Comedy |
Young |
|
Samuel Beckett:
Humanistic Perspectives |
Beja, Gontarski, and Astier, eds. |
|
Structural Arithmetic Metaphor in the Oxford “Roland” |
Bulatkin |
|
Structure and Theme: “Don Quixote” to James Joyce |
Church |
|
Surprised by Shame: Dostoevsky’s Liars and Narrative Exposure |
Martinsen |
|
A Thousand Words:
Portraiture, Style, and Queer Modernism |
Hovey |
|
|
|
|
FICTION AND CREATIVE WRITING |
|
|
|
|
The Bones of Garbo |
Lewis |
|
Come Back Irish |
Rawlings |
| |
Dance unto the Lord |
Dell |
|
Dating Miss Universe: Nine Stories |
Polansky |
|
The Earth Abideth |
Dell |
|
Farewell, Summer |
Santmyer |
|
The Fierce Dispute |
Santmyer |
|
Hamlet’s Planets: Parables |
Sexson |
|
Little Men: Novellas and
Stories |
Shapiro |
|
Mexico Is Missing: And Other Stories |
Stevens |
|
Ohio Farm |
McMillen |
|
Ohio Town |
Santmyer |
|
Ordination |
Kaukonen |
|
Radiance: Ten Stories |
Clayton |
|
Summers with Juliet |
Roorbach |
|
Throwing Knives |
Tinsley |
|
The Trial of Ebenezer Scrooge |
Bueno de Mesquita |
|
True Kin |
Jahna |
|
The White Tattoo: A Collection of Short Stories |
Cobb |
|
Women Drinking Benedictine |
Dilworth |
|
|
|
|
LINGUISTICS AND FOREIGN LANGUAGES |
|
|
|
| |
Discover Romanian: An Introduction to the Language and Culture |
Boţoman |
|
Language Files, 9th Edition |
Department of Linguistics, The Ohio State University |
|
Language Files:
Materials for an Introduction to Language and Linguistics, 10th Edition |
Department of Linguistics, The Ohio State University |
|
When Languages Collide: Perspectives on Language Conflict, Language
Competition, and Language Coexistence |
Joseph et al., eds. |
|
|
|
|
POETRY |
|
|
|
|
Anatomy Errata |
Hall |
|
At the White Window |
Young |
|
Autumn Road |
Swann |
|
Blessings the Body Gave |
McDonald |
|
The Book of Appassionata: The Collected Poems |
Citino |
|
Broken Symmetry |
Citino |
| |
Captivity Narrative |
Samyn |
|
Combinations of the Universe |
Goldbarth |
|
Crossing the Snow Bridge |
Lim-Wilson |
|
Empire Burlesque |
Svenvold |
|
Heroic Measures |
Bergman |
|
A History of Hands |
Citino |
|
Innocence |
Nordhaus |
|
The Invention of Secrecy |
Citino |
|
Magical Thinking: Poems |
Duemer |
|
Meaning and Memory: Interviews with Fourteen Jewish Poets |
Pacernick |
|
Mechanical Cluster |
Seyburn |
|
Popular Culture |
Goldbarth |
|
Saving Lives: Poems |
Goldbarth |
|
Seasoning: A Poet’s Year, With Seasonal Recipes |
Young |
|
Shadeland |
Grace |
|
Spot in the Dark |
Gylys |
|
Stone Sky Lifting |
Purpura |
|
Troubled Lovers in History: A Sequence of Poems |
Goldbarth |
|
Writing Letters for the
Blind |
Fincke |
|
|
|
|
THEORY AND FOLKLORE |
|
|
|
|
Before Reading: Narrative Conventions and the Politics of Interpretation |
Rabinowitz |
|
Breaking the Frame: Metalepsis and the Construction of the Subject |
Malina |
|
The English Dream Vision:
Anatomy of a Form |
Russell |
|
Experiencing Fiction:
Judgments, Progressions, and the Rhetorical Theory of Narrative |
Phelan |
|
Folklore in New World Black
Fiction: Writing and the Oral Traditional Aesthetics |
Akọma |
|
Framing Anna Karenina: Tolstoy, the Woman Question, and The Victorian Novel |
Mandelker |
|
Gendered Interventions:
Narrative Discourse in the Victorian Novel |
Warhol |
|
A Glance beyond Doubt: Narration, Representation, Subjectivity |
Rimmon-Kenan |
|
I Know That You Know That I Know:
Narrating Subjects from Moll Flanders to Marnie |
Butte |
|
Invisible Author: Last Essays |
Brooke-Rose |
|
Joseph Conrad: Voice,
Sequence, History, Genre |
Lothe, Hawthorn, and Phelan, eds. |
|
Latin Elegy and Narratology:
Fragments of Story |
Liveley and Salzman-Mitchell, eds. |
|
The Look of Distance: Reflections on Suffering and Sympathy in Modern
Literature—Auden to Agee, Whitman to Woolf |
Slatoff |
|
Matters of Fact: Reading Nonfiction over the Edge |
Lehman |
|
Mutha’ Is Half a Word:
Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female
Culture |
Stallings |
|
Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology |
Phelan |
|
Narrative Causalities |
Kafalenos |
|
Narrative Dynamics: Essays on Time, Plot, Closure, and Frames |
Richardson, ed. |
|
Narratologies: New Perspectives on Narrative Analysis |
Herman, ed. |
|
Postmodern Spiritual
Practices: The Construction of the Subject and the Reception of Plato in
Lacan, Derrida, and Foucault |
Miller |
|
Psychological Politics
of the American Dream: The Commodification of Subjectivity in
Twentieth-Century American Literature |
Tyson |
|
Reading People, Reading
Plots: Character, Progression, and the Interpretation of Narrative |
Phelan |
|
The Rhetoric of
Fictionality: Narrative Theory and the Idea of Fiction |
Walsh |
|
The Tested Woman Plot: Women's Choices, Men's Judgments, and the Shaping of
Stories |
Bueler |
|
A Thousand Words:
Portraiture, Style, and Queer Modernism |
Hovey |
|
Understanding Narrative |
Phelan and Rabinowitz, eds. |
|
Unnatural Voices:
Extreme Narration in Modern and Contemporary Fiction |
Richardson |
|
Why We Read Fiction: Theory of Mind and the Novel |
Zunshine |