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The Ohio State University Press
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Frontmatter and Preface
Introduction
Part One: Shaw and the Moral Aesthetes
1: Ruskin, Morris, and
Shaw
2: The Pre-Raphaelites and Shaw
3: Pre-Raphaelite Drama: Candida
Part Two: Shaw and the Fin-de-Siècle Aestheticism
4: The Development of Fin-de-Siècle Aestheticism
5: Art for Art’s Sake and Shaw’s Theory of Moral Art
6: The Artist, the
Censor, and the Public
7: The Form and the Content of Art
8: Art and Reality
Part Three: The Aesthete and the Shavian Artist
9: The Nature of the Aesthete-Artist
10: The Portrait of the Artist in Shaw’s Novels
11: The Aesthete-Artist in Shaw’s Early Plays
12: The Unscrupulous Artist
13: The Artist-Creator of Life
14: Shaw the Artist