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Frontmatter
Introduction and Abbreviations
MAJOR ADDRESSES
1. Joyce’s Heliotrope — Margot Norris
2. Joyce the Verb — Fritz Senn
3. The Joycead — Colbert Kearney
4. Inscribing James Joyce’s Tombstone — Bernard Benstock
5. Joyce and Modernist Ideology — Robert Scholes
CRITICAL STUDIES
6. Farrington the Scrivener: A Story of Dame Street — Morris Beja
7. The Language of Exiles — Clive Hart
8. And the Music Goes Round and Round: A Couple of New Approaches
to Joyce’s Uses of Music in Ulysses — Zack Bowen
9. “Roll Away the Reel World, the Reel World”: “Circe” and Cinema — Austin Briggs
10. Images of the Lacanian Gaze in Ulysses — Sheldon Brivic
11. Jellyfish and Treacle: Lewis, Joyce, Gender, and Modernism — Bonnie Kime Scott
12. The Letter Selfpenned to One’s Other: Joyce’s Writing, Deconstruction, Feminism — Ellen Carol Jones
13. Simulation, Pluralism, and the Politics of Everyday Life — Jules
David Law
14. Joyce’s Pedagogy: Ulysses and Finnegans Wake as Theory — Patrick McGee
15. From Catechism to Catachresis: Aspects of Joycean Pedagogy in
Ulysses and Finnegans Wake — Lorraine Weir
16. ALP’s Final Monologue in Finnegans Wake: The Dialectical Logic of Joyce’s Dream Text — Kimberly Devlin
17. Shahrazade, Turko the Terrible, and Shem: The Reader as Voyeur in
Finnegans Wake — Henriette Lazaridis Power
18. The Wake’s Confounded Language — Derek Attridge