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Frontmatter
Introduction /
James Phelan and Peter J. Rabinowitz
1: Strolling,
Touring, Cruising: Counter-Disciplinary Narrative and the Loiterature of Travel / Ross Chambers
2: Generic and Doctrinal Politics in the
Proletarian Bildungsroman / Barbara Foley
3: Narratives of Bourgeois Subjectivity in
Mozart’s Prague Symphony / Susan McClary
4: The Ethics of Forms: Taking Flight with
The Wings of the Dove / Wayne C. Booth
5: Picturing Spectatorship / Judith Mayne
6: “How Did You Know He Licked His Lips?”: Second Person Knowledge and First Person Power in The Maltese Falcon / Peter J. Rabinowitz
7: Naturalizing Molloy / Thomas G. Pavel
8: Travel Narration
and Imperialist Vision / Mary Louise Pratt
9: Present Tense Narration, Mimesis, the Narrative Norm, and the Positioning of the Reader in Waiting for the Barbarians / James Phelan
10: Dialogue, Discourse, Theft, and Mimicry: Charlotte Brontë Rereads William Makepeace Thackeray / Elizabeth Langland